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		<title>Enter The Collective</title>
				
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		<pubDate>Sat, 09 Sep 2023 18:28:40 +0000</pubDate>

		<dc:creator>Barbora Ilič</dc:creator>

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Enter The Collective

Barbora Ilič and Kristýna Gajdošová

video and installation, 2025

Galerie Mladých. TIC Brno

Curated by Ivana Hrončeková
Through their road movie, Kristýna Gajdošová and Barbora Ilič explore the multirole identities they inhabit as agents within the art world. They don't claim to deliver moral messages or change the world; instead, they highlight the pitfalls of trying to navigate a field governed by unwritten ethical codes and the manipulation of trending buzzwords.

The installation Enter the Collective is a standalone “work in progress” segment of a forthcoming film, whose main characters represent four “archetypal” figures of the art scene: the burnt-out curator, the ambitious performer/artist, the activist DJ, and the fuckboy cameraman. Together, they set off toward an art festival in France, where a collaborative performance is set to take place. This storyline forms the film’s backbone—yet it is the surrounding reality, unfolding along the highways of Central Europe (or in our office), that reveals something just as crucial: a reality show capturing the collective’s internal dynamics, where the meta-ironic blend of directorial intent and improvised situation makes it unclear—even to the participants themselves—how serious the conflicts really are.


</description>
		
	</item>
		
		
	<item>
		<title>HorseChain</title>
				
		<link>https://barborailic.cargo.site/HorseChain</link>

		<pubDate>Mon, 26 May 2025 19:37:53 +0000</pubDate>

		<dc:creator>Barbora Ilič</dc:creator>

		<guid isPermaLink="true">https://barborailic.cargo.site/HorseChain</guid>

		<description>
&#60;img width="3000" height="2001" width_o="3000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/283c6f68a3df16a769caaf2272efcd82413d5d1431307940490419aecb746e2c/2025-03-05-PAF---CEJLA-KOLEKTIV---HORSECHAIN-27_.jpg" data-mid="233745578" border="0"  src="https://freight.cargo.site/w/1000/i/283c6f68a3df16a769caaf2272efcd82413d5d1431307940490419aecb746e2c/2025-03-05-PAF---CEJLA-KOLEKTIV---HORSECHAIN-27_.jpg" /&#62;
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HorseChain

Cejla collectivevideo &#38;amp; installation, 2025
PAF gallery
&#38;nbsp;HorseChain is a speculative scenario: what if part of the art world stopped pretending to resist market logic altogether? What if it leaned into its most aggressive tendencies, fully embraced late capitalist realism and scam culture, and took the reins—literally and metaphorically?No more dreams of subversion. Just playing along, eyes wide open.
Maybe it wouldn’t even feel that different. Maybe it would just amplify the absurdities we already live—an accelerated caricature of the roles, rhythms, and contradictions we’ve learned to perform.</description>
		
	</item>
		
		
	<item>
		<title>Dirt is a social construct</title>
				
		<link>https://barborailic.cargo.site/Dirt-is-a-social-construct</link>

		<pubDate>Fri, 05 Apr 2024 21:51:56 +0000</pubDate>

		<dc:creator>Barbora Ilič</dc:creator>

		<guid isPermaLink="true">https://barborailic.cargo.site/Dirt-is-a-social-construct</guid>

		<description>


&#60;img width="1246" height="1653" width_o="1246" height_o="1653" data-src="https://freight.cargo.site/t/original/i/abf9dfcdadfd1d582a62a4338d46ed20a2cfeec44febe9b2dd9809d79882b7f6/Snimek-obrazovky-2024-04-05-v23.38.24.png" data-mid="208391499" border="0"  src="https://freight.cargo.site/w/1000/i/abf9dfcdadfd1d582a62a4338d46ed20a2cfeec44febe9b2dd9809d79882b7f6/Snimek-obrazovky-2024-04-05-v23.38.24.png" /&#62;
&#60;img width="1202" height="1580" width_o="1202" height_o="1580" data-src="https://freight.cargo.site/t/original/i/c299da4873328f74433e7f339c4c306953ebfa2312037266791a919d180006ac/Snimek-obrazovky-2024-04-05-v23.40.15.png" data-mid="208391500" border="0"  src="https://freight.cargo.site/w/1000/i/c299da4873328f74433e7f339c4c306953ebfa2312037266791a919d180006ac/Snimek-obrazovky-2024-04-05-v23.40.15.png" /&#62;
&#60;img width="500" height="1594" width_o="500" height_o="1594" data-src="https://freight.cargo.site/t/original/i/eee8122f509d4decf9f2e33167cbb3a249af56ac27f212b24564dee61850612b/Snimek-obrazovky-2024-04-05-v23.40.54.png" data-mid="208391501" border="0"  src="https://freight.cargo.site/w/500/i/eee8122f509d4decf9f2e33167cbb3a249af56ac27f212b24564dee61850612b/Snimek-obrazovky-2024-04-05-v23.40.54.png" /&#62;
&#60;img width="3287" height="4930" width_o="3287" height_o="4930" data-src="https://freight.cargo.site/t/original/i/329578edba336acda754b364c2b3182019dd8013c67e5199c97d37423900867e/_MG_9359.jpg" data-mid="208535585" border="0"  src="https://freight.cargo.site/w/1000/i/329578edba336acda754b364c2b3182019dd8013c67e5199c97d37423900867e/_MG_9359.jpg" /&#62;
&#60;img width="3214" height="4821" width_o="3214" height_o="4821" data-src="https://freight.cargo.site/t/original/i/9da82196c6189a75f66e73af6fa5920c5263298fa27746d3b457d3c8ac32be26/_MG_9421.jpg" data-mid="208535586" border="0"  src="https://freight.cargo.site/w/1000/i/9da82196c6189a75f66e73af6fa5920c5263298fa27746d3b457d3c8ac32be26/_MG_9421.jpg" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/055833c2966bfa512d9f0eea9976ae22cac86355103821306b8d10836aad0469/_MG_9521.jpg" data-mid="208535587" border="0"  src="https://freight.cargo.site/w/1000/i/055833c2966bfa512d9f0eea9976ae22cac86355103821306b8d10836aad0469/_MG_9521.jpg" /&#62;
&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/b410adf315262e159688f1bed5add6a12535d9e061a9020a5c51d186947cb53f/_MG_9343.jpg" data-mid="208535741" border="0"  src="https://freight.cargo.site/w/1000/i/b410adf315262e159688f1bed5add6a12535d9e061a9020a5c51d186947cb53f/_MG_9343.jpg" /&#62;
Dirt is a social construct
video &#38;amp; installation, 2024
45 000L gallery
&#38;nbsp;What becomes a recognized pattern and what remains as surrounding noise? The video "Dirt is a social construct" deals with so-called street dirt and visual pollution in the stage of its physical decay. It explores the spontaneously emerging aesthetics of decomposing materials and their second life, set against a personal narrative about the concept of visual purity.The phrase "apple of my eye" refers to something or someone that one cherishes above all others. Originally, the phrase was simply an idiom referring to the pupil of the eye. However, eyes actually do have their preferences. The Figure-ground organization is a type of perceptual grouping that is a vital necessity for recognizing objects through vision. In Gestalt psychology, it is understood as the perceptual decision in which the brain decides which item is the figure and which is a part of the ground in a visual scene.
But sometimes it is the background where the new system emerges, Sometimes, there is a messy beach under the solid pavement. And yet, the apple of your eye is the cherry on the pie.&#38;nbsp;∙Cake by Jarmila Červená&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Where Them Stray Dogs At</title>
				
		<link>https://barborailic.cargo.site/Where-Them-Stray-Dogs-At</link>

		<pubDate>Sun, 02 Feb 2025 11:26:06 +0000</pubDate>

		<dc:creator>Barbora Ilič</dc:creator>

		<guid isPermaLink="true">https://barborailic.cargo.site/Where-Them-Stray-Dogs-At</guid>

		<description>


&#60;img width="1068" height="1326" width_o="1068" height_o="1326" data-src="https://freight.cargo.site/t/original/i/665a45556cc7a6f08fe8f54fc9416a0031995808b2627dc2a6e2b09220ce7412/Snimek-obrazovky-2025-02-02-v12.26.33.png" data-mid="225890443" border="0"  src="https://freight.cargo.site/w/1000/i/665a45556cc7a6f08fe8f54fc9416a0031995808b2627dc2a6e2b09220ce7412/Snimek-obrazovky-2025-02-02-v12.26.33.png" /&#62;
&#60;img width="910" height="1196" width_o="910" height_o="1196" data-src="https://freight.cargo.site/t/original/i/3d9aea84d9c47d5346fe60e1a5ef114dc4d395fcd48860e5d3e07d1b73eb1046/Snimek-obrazovky-2025-02-02-v12.27.59.png" data-mid="225890445" border="0"  src="https://freight.cargo.site/w/910/i/3d9aea84d9c47d5346fe60e1a5ef114dc4d395fcd48860e5d3e07d1b73eb1046/Snimek-obrazovky-2025-02-02-v12.27.59.png" /&#62;
&#60;img width="890" height="1274" width_o="890" height_o="1274" data-src="https://freight.cargo.site/t/original/i/94d9fef533ce7c7be548b58a2aa5cc9fa396bda11fcf5f04bdbe0e52a6ba8250/Snimek-obrazovky-2025-02-02-v12.29.09.png" data-mid="225890447" border="0"  src="https://freight.cargo.site/w/890/i/94d9fef533ce7c7be548b58a2aa5cc9fa396bda11fcf5f04bdbe0e52a6ba8250/Snimek-obrazovky-2025-02-02-v12.29.09.png" /&#62;
&#60;img width="926" height="1272" width_o="926" height_o="1272" data-src="https://freight.cargo.site/t/original/i/8a4a7ba6f513495317cae52e2a92e61123dea6e307366554449abcbdbc3c41bd/Snimek-obrazovky-2025-02-02-v12.28.53.png" data-mid="225890446" border="0"  src="https://freight.cargo.site/w/926/i/8a4a7ba6f513495317cae52e2a92e61123dea6e307366554449abcbdbc3c41bd/Snimek-obrazovky-2025-02-02-v12.28.53.png" /&#62;
&#60;img width="900" height="1188" width_o="900" height_o="1188" data-src="https://freight.cargo.site/t/original/i/54050242cda62f4059e271180b300ca24861712401fa37cd54f93abf651fb70c/Snimek-obrazovky-2025-02-02-v12.29.21.png" data-mid="225890448" border="0"  src="https://freight.cargo.site/w/900/i/54050242cda62f4059e271180b300ca24861712401fa37cd54f93abf651fb70c/Snimek-obrazovky-2025-02-02-v12.29.21.png" /&#62;
Where Them Stray Dogs At


Book (Eds. Barbora Ilič, Authors: Jiří Gruber, Barbora Ilič, Risto Ilič, Tamara Spalajković. Milica Živković)

&#38;nbsp;The book Where Them Stray Dogs At (2024) introduces a collective of authors who approach Belgradeas a conceptual starting point. While grounded in one location, the book explores the broadermeanings and identities projected onto the so-called Balkans as a region. Through differentapproaches, the authors create a series of fragmented yet inevitably related commentaries onthemes such as authenticity, migration, urban transformation, and Balkanism. The subtitle of thebook hints at its transitory character, emphasizing the unaligned—almost stray—perspectives ofthe contributors. Reflecting on their own positionalities and the tensions between personal andcollective narratives, the book connects the authors’ approaches into a layered exploration ofthe liminal spaces between development and decline, past and present, belonging andalienation.The book was published in 2024 in co-edition of FFA BUT and ArtMap.&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Barbara: The Weltschmerz Musical</title>
				
		<link>https://barborailic.cargo.site/Barbara-The-Weltschmerz-Musical</link>

		<pubDate>Sat, 09 Sep 2023 18:28:40 +0000</pubDate>

		<dc:creator>Barbora Ilič</dc:creator>

		<guid isPermaLink="true">https://barborailic.cargo.site/Barbara-The-Weltschmerz-Musical</guid>

		<description>


&#60;img width="3024" height="1700" width_o="3024" height_o="1700" data-src="https://freight.cargo.site/t/original/i/8721f33b5fbbdaf023a1a06651ba33f9ec410ce9d60526359a8107fbfe40edc4/Snimek-obrazovky-2023-05-08-v22.49.44.png" data-mid="191126121" border="0"  src="https://freight.cargo.site/w/1000/i/8721f33b5fbbdaf023a1a06651ba33f9ec410ce9d60526359a8107fbfe40edc4/Snimek-obrazovky-2023-05-08-v22.49.44.png" /&#62;
&#60;img width="3022" height="1690" width_o="3022" height_o="1690" data-src="https://freight.cargo.site/t/original/i/2c407eaa8a8088b86b5f5a52787442c2c6e9fcabcb7853867a48a7a97b40489c/Snimek-obrazovky-2023-05-08-v21.56.28.png" data-mid="191126098" border="0"  src="https://freight.cargo.site/w/1000/i/2c407eaa8a8088b86b5f5a52787442c2c6e9fcabcb7853867a48a7a97b40489c/Snimek-obrazovky-2023-05-08-v21.56.28.png" /&#62;
&#60;img width="2636" height="1476" width_o="2636" height_o="1476" data-src="https://freight.cargo.site/t/original/i/249c2892c16594361f1d03afcf9f1c8d6aaa3ff9b8480f7988caaed528e504e9/Barbara-screenshot-12.png" data-mid="191126093" border="0"  src="https://freight.cargo.site/w/1000/i/249c2892c16594361f1d03afcf9f1c8d6aaa3ff9b8480f7988caaed528e504e9/Barbara-screenshot-12.png" /&#62;
&#60;img width="2574" height="1440" width_o="2574" height_o="1440" data-src="https://freight.cargo.site/t/original/i/5781053f98152a4a208a1695d03b61f713be6a7953933078a21a680591c1fc47/BarbaraScreenshot2.png" data-mid="191126155" border="0"  src="https://freight.cargo.site/w/1000/i/5781053f98152a4a208a1695d03b61f713be6a7953933078a21a680591c1fc47/BarbaraScreenshot2.png" /&#62;
&#60;img width="2588" height="1448" width_o="2588" height_o="1448" data-src="https://freight.cargo.site/t/original/i/342bbd46652a3ade1fa0179301d74cb5d366d3ee571e8d4c930611745b0ad241/BarbaraScreenshot6.png" data-mid="191126178" border="0"  src="https://freight.cargo.site/w/1000/i/342bbd46652a3ade1fa0179301d74cb5d366d3ee571e8d4c930611745b0ad241/BarbaraScreenshot6.png" /&#62;
&#60;img width="2716" height="1520" width_o="2716" height_o="1520" data-src="https://freight.cargo.site/t/original/i/16c225accede8c8e3bbdda3bd753abfc01c169bc4e3c676bd08df9e0e53a4cb5/BarbaraScreenshot3.png" data-mid="191126168" border="0"  src="https://freight.cargo.site/w/1000/i/16c225accede8c8e3bbdda3bd753abfc01c169bc4e3c676bd08df9e0e53a4cb5/BarbaraScreenshot3.png" /&#62;
&#60;img width="3024" height="1708" width_o="3024" height_o="1708" data-src="https://freight.cargo.site/t/original/i/efb348c09c7d1bc67891228a0372af56e4f4d422930dd1cf8be0d9df07192de6/Snimek-obrazovky-2023-05-08-v22.52.34.png" data-mid="191126337" border="0"  src="https://freight.cargo.site/w/1000/i/efb348c09c7d1bc67891228a0372af56e4f4d422930dd1cf8be0d9df07192de6/Snimek-obrazovky-2023-05-08-v22.52.34.png" /&#62;
&#60;img width="3024" height="1698" width_o="3024" height_o="1698" data-src="https://freight.cargo.site/t/original/i/d07f5db408c77d2e7748719a9433deabc11edb2db9049a901826b30d8ce20b48/Snimek-obrazovky-2023-05-08-v22.36.14.png" data-mid="191126129" border="0"  src="https://freight.cargo.site/w/1000/i/d07f5db408c77d2e7748719a9433deabc11edb2db9049a901826b30d8ce20b48/Snimek-obrazovky-2023-05-08-v22.36.14.png" /&#62;
&#60;img width="2650" height="1490" width_o="2650" height_o="1490" data-src="https://freight.cargo.site/t/original/i/0464f1282c21cee935495c05489722b9c7778c78b24d9dddc5bfb040493ca6ca/BarbaraScreenshot4.png" data-mid="191126176" border="0"  src="https://freight.cargo.site/w/1000/i/0464f1282c21cee935495c05489722b9c7778c78b24d9dddc5bfb040493ca6ca/BarbaraScreenshot4.png" /&#62;
Barbara: The Weltschmerz Musical

video, 29 min, 2023
available on requestThe short autofiction film focuses on the sadness of a fragile art monster – a foreigner named Barbara. After some time, Barbara returns to Belgrade, where she plans to visit her family and find inspiration for a new project. As she spends her days in a hotel room drowning in melancholy and visions of lost futures, her relative Sale keeps trying to contact her.
Through the concept of Yugonostalgia, the work explores the problematic discourse of identity decolonization, reparative turn in art, and the overall purpose of reflecting one's privilege. However, the subject of the film itself is not so much an analysis of these phenomena as a subtle effort to point out individual motivations and internal processes that accompany them. In other words, which of us is lucky enough to become a (self-made) romantic hero worth being looked at? 
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	<item>
		<title>Cejla: Kurátorské menu</title>
				
		<link>https://barborailic.cargo.site/Cejla-Kuratorske-menu</link>

		<pubDate>Mon, 18 Sep 2023 17:06:13 +0000</pubDate>

		<dc:creator>Barbora Ilič</dc:creator>

		<guid isPermaLink="true">https://barborailic.cargo.site/Cejla-Kuratorske-menu</guid>

		<description>


&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/8141c54e0aadf93165c1ce218ca6711fc058211adb4553f649a4f78988ecccdb/334705038_521839460140969_7479122401820540991_n.jpg" data-mid="191153467" border="0"  src="https://freight.cargo.site/w/1000/i/8141c54e0aadf93165c1ce218ca6711fc058211adb4553f649a4f78988ecccdb/334705038_521839460140969_7479122401820540991_n.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/c0ba558c446d6a9e060b32046563d3a56ffbd91cf9aa2f46c222fd0dc16b17c3/335090986_876310633440293_3771873470718267786_n.jpg" data-mid="191153469" border="0"  src="https://freight.cargo.site/w/1000/i/c0ba558c446d6a9e060b32046563d3a56ffbd91cf9aa2f46c222fd0dc16b17c3/335090986_876310633440293_3771873470718267786_n.jpg" /&#62;
&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/03d581e71104fea836d0a52d1073e93fa169016ce2657ca82ab8063827727c96/334682141_890857922202440_2992329408899975244_n.jpg" data-mid="191154052" border="0"  src="https://freight.cargo.site/w/1000/i/03d581e71104fea836d0a52d1073e93fa169016ce2657ca82ab8063827727c96/334682141_890857922202440_2992329408899975244_n.jpg" /&#62;
Cejla: Kurátorské menu
installation and performace, 2023
Cejla gallery
&#38;nbsp;Cejla is a curatorial collective and platform created with the aim to provide an exhibition space focused 
on students and emerging artists. The first joint exhibition of the Cejla collective titled Curator's Menu, opens the topic of general values and approaches of curatorial teams to their gallery businesses.&#38;nbsp; Essential aspects of the activities of contemporary art collectives are the issues of ungrowth and the decentralization of cultural events, as well as the issue of the volume of bottled wine at the opening. And most importantly, will the so-called art scene arrive to taste it?
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		<title>Platonic Breakup</title>
				
		<link>https://barborailic.cargo.site/Platonic-Breakup</link>

		<pubDate>Sat, 09 Sep 2023 18:28:40 +0000</pubDate>

		<dc:creator>Barbora Ilič</dc:creator>

		<guid isPermaLink="true">https://barborailic.cargo.site/Platonic-Breakup</guid>

		<description>


&#60;img width="2882" height="1614" width_o="2882" height_o="1614" data-src="https://freight.cargo.site/t/original/i/787eb15dc9fec5d3729624c1af00245b05c3da19d1ce5aaac38aadf1e2b2ae13/ScreenshotPlatonic2.png" data-mid="191126937" border="0"  src="https://freight.cargo.site/w/1000/i/787eb15dc9fec5d3729624c1af00245b05c3da19d1ce5aaac38aadf1e2b2ae13/ScreenshotPlatonic2.png" /&#62;
&#60;img width="2886" height="1610" width_o="2886" height_o="1610" data-src="https://freight.cargo.site/t/original/i/a879ced7761e181cda29252e0931a8424072f720a141163b9cc6688dea89ca84/Snimek-obrazovky-2022-06-13-v12.27.10.png" data-mid="191126950" border="0"  src="https://freight.cargo.site/w/1000/i/a879ced7761e181cda29252e0931a8424072f720a141163b9cc6688dea89ca84/Snimek-obrazovky-2022-06-13-v12.27.10.png" /&#62;
&#60;img width="2880" height="1616" width_o="2880" height_o="1616" data-src="https://freight.cargo.site/t/original/i/a19ea70519710b62255e8f90936eae080798674579f0b348fb026ceae2e24009/Snimek-obrazovky-2022-06-13-v12.21.59.png" data-mid="191126936" border="0"  src="https://freight.cargo.site/w/1000/i/a19ea70519710b62255e8f90936eae080798674579f0b348fb026ceae2e24009/Snimek-obrazovky-2022-06-13-v12.21.59.png" /&#62;
&#60;img width="2892" height="1622" width_o="2892" height_o="1622" data-src="https://freight.cargo.site/t/original/i/8d6bb45f9a9bcd7a2e87ca80e99ab1a5e9c4356a0aa437d3065d8e4e523c4442/Snimek-obrazovky-2022-06-13-v12.35.16.png" data-mid="191126933" border="0"  src="https://freight.cargo.site/w/1000/i/8d6bb45f9a9bcd7a2e87ca80e99ab1a5e9c4356a0aa437d3065d8e4e523c4442/Snimek-obrazovky-2022-06-13-v12.35.16.png" /&#62;
&#60;img width="2880" height="1612" width_o="2880" height_o="1612" data-src="https://freight.cargo.site/t/original/i/5d35883cd92abdc734b6fc5a024d7243c9f0844e1d8088425fdd3c116659ae22/ScreenshotPlatonic1.png" data-mid="191126898" border="0"  src="https://freight.cargo.site/w/1000/i/5d35883cd92abdc734b6fc5a024d7243c9f0844e1d8088425fdd3c116659ae22/ScreenshotPlatonic1.png" /&#62;
&#60;img width="2884" height="1614" width_o="2884" height_o="1614" data-src="https://freight.cargo.site/t/original/i/56079139bb25a4b56184d31d503903b3da7dab8e9c593fb0b8a7da927579df4c/Snimek-obrazovky-2022-06-13-v12.29.41.png" data-mid="191127008" border="0"  src="https://freight.cargo.site/w/1000/i/56079139bb25a4b56184d31d503903b3da7dab8e9c593fb0b8a7da927579df4c/Snimek-obrazovky-2022-06-13-v12.29.41.png" /&#62;
&#60;img width="2888" height="1622" width_o="2888" height_o="1622" data-src="https://freight.cargo.site/t/original/i/97e6897cbc96267f78f4b78ff4b8bb263bfe033832d4b82250ba27fe8649720e/Snimek-obrazovky-2022-06-13-v12.31.41.png" data-mid="191126983" border="0"  src="https://freight.cargo.site/w/1000/i/97e6897cbc96267f78f4b78ff4b8bb263bfe033832d4b82250ba27fe8649720e/Snimek-obrazovky-2022-06-13-v12.31.41.png" /&#62;
Platonic Breakup

video, 8 min, 2022
available on request&#38;nbsp;The short film presents an introspection into the state of platonic love as a coping mechanism for life in a world that is hard to make sense of. For millennia, we have been humanizing nature, while at the same time dividing it against everything that is "human". The anthropocentric perspective has done irreversible damage, and although we try in vain to reverse it into a posthumanist interest in "non-human" entities, our thinking remains trapped in the mirror labyrinth of our human subjectivity. We often claim to seek a dialogue with the "non-human", but the only one who can really answer us is ourselves. It is like falling in love with a stone in which we recognize a human face. A stone from which we await answers to the questions we have only asked ourselves. 
</description>
		
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	<item>
		<title>Na Mala Vrata #5</title>
				
		<link>https://barborailic.cargo.site/Na-Mala-Vrata-5</link>

		<pubDate>Mon, 18 Sep 2023 14:40:11 +0000</pubDate>

		<dc:creator>Barbora Ilič</dc:creator>

		<guid isPermaLink="true">https://barborailic.cargo.site/Na-Mala-Vrata-5</guid>

		<description>


&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/16def2df7200f45e16ed99ea86a8794cea05d0f794ce5bb73e4d31928b9ed30f/tumblr_0fc740ae3b8590f3717cedec5f3277ca_01756b5f_1280.jpg" data-mid="191129297" border="0"  src="https://freight.cargo.site/w/1000/i/16def2df7200f45e16ed99ea86a8794cea05d0f794ce5bb73e4d31928b9ed30f/tumblr_0fc740ae3b8590f3717cedec5f3277ca_01756b5f_1280.jpg" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/b4a156e1c29e32091df73fa5739b6c7a9fc92d070aa09e0a84312139ec3d8888/tumblr_9aef349ab65ad8fbb069b10982918631_4565c03b_1280.jpg" data-mid="191129290" border="0"  src="https://freight.cargo.site/w/1000/i/b4a156e1c29e32091df73fa5739b6c7a9fc92d070aa09e0a84312139ec3d8888/tumblr_9aef349ab65ad8fbb069b10982918631_4565c03b_1280.jpg" /&#62;
&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/4b890641a6a0ee3510ce296e143c0fcae2cfef498783043efe8e48a034e81b61/tumblr_d5e977a9b61b5ab16170b6ad5cc46206_ff9576a4_1280.jpg" data-mid="191129299" border="0"  src="https://freight.cargo.site/w/1000/i/4b890641a6a0ee3510ce296e143c0fcae2cfef498783043efe8e48a034e81b61/tumblr_d5e977a9b61b5ab16170b6ad5cc46206_ff9576a4_1280.jpg" /&#62;
&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/4173fc741989341067d44f24871b3c6ac510427f3e51521ce90444c11511b8c5/tumblr_430d44128acea848ab5abe40ce359758_76ae0412_1280.jpg" data-mid="191129311" border="0"  src="https://freight.cargo.site/w/1000/i/4173fc741989341067d44f24871b3c6ac510427f3e51521ce90444c11511b8c5/tumblr_430d44128acea848ab5abe40ce359758_76ae0412_1280.jpg" /&#62;
&#60;img width="1280" height="1280" width_o="1280" height_o="1280" data-src="https://freight.cargo.site/t/original/i/55b6e447170e0b8edc33a200995d34a4170a717572bbae08ba9a3836885dc7fb/tumblr_0285ede81850ecf2e2e746cef028822f_dad203fb_1280.jpg" data-mid="191129381" border="0"  src="https://freight.cargo.site/w/1000/i/55b6e447170e0b8edc33a200995d34a4170a717572bbae08ba9a3836885dc7fb/tumblr_0285ede81850ecf2e2e746cef028822f_dad203fb_1280.jpg" /&#62;
Na Mala Vrata #5
installation and performace, 2022
Kulturni centar Beograda
&#38;nbsp;The site-specific installation features works of Jelica Radovanović and Dejan Anđelković "Da nam živi, živi rad" (2012) and the video collective Doplgenger, whose members are Isidora Ilić and Boško Prostran, entitled "Unnamed fragments #2" (2014). Both works focus on the premonition of collision and collapse. The tension escalates without the arrival of a catharsis that would lay the foundation for a new beginning. The technical spaces of the gallery, in which the installation is located, present an allusion to social purgatory. Shallow underground, service backstage - spaces outside of ordinary time and space, in which one can easily lose one's sense of orientation. The exhibition does not set itself the ambition of finding a solution. Its only intention is to recall an unwelcome feeling that we all know very well.
</description>
		
	</item>
		
		
	<item>
		<title>UGLYBRNO</title>
				
		<link>https://barborailic.cargo.site/UGLYBRNO</link>

		<pubDate>Fri, 20 Oct 2023 12:38:27 +0000</pubDate>

		<dc:creator>Barbora Ilič</dc:creator>

		<guid isPermaLink="true">https://barborailic.cargo.site/UGLYBRNO</guid>

		<description>


&#60;img width="2000" height="2831" width_o="2000" height_o="2831" data-src="https://freight.cargo.site/t/original/i/2a5f8dd4003ee313b867fc446266796a2894d92ec67c7c383ca18426661711a8/Kopie-souboru-poster6.png" data-mid="194327363" border="0"  src="https://freight.cargo.site/w/1000/i/2a5f8dd4003ee313b867fc446266796a2894d92ec67c7c383ca18426661711a8/Kopie-souboru-poster6.png" /&#62;
&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/d1ea6053b4604bd3259181d0dbcb7bd1d2c025f9cf899bd4fbacbf82a05079bf/3-2.png" data-mid="194327361" border="0"  src="https://freight.cargo.site/w/1000/i/d1ea6053b4604bd3259181d0dbcb7bd1d2c025f9cf899bd4fbacbf82a05079bf/3-2.png" /&#62;
&#60;img width="2000" height="2831" width_o="2000" height_o="2831" data-src="https://freight.cargo.site/t/original/i/9ad031e10b3031c96a6826559d6d7206ff89bc211421c7663bd467b7aac22f0f/Kopie-souboru-poster1.png" data-mid="194327364" border="0"  src="https://freight.cargo.site/w/1000/i/9ad031e10b3031c96a6826559d6d7206ff89bc211421c7663bd467b7aac22f0f/Kopie-souboru-poster1.png" /&#62;
UGLY BRNO
Anti–visual–fascism collective

&#38;nbsp;The collective thematizes gentrification and visual smog in Brno, which is closel related to the publication of the new Brno Visual Manual of Good Practice. In 2018, the manual became an official city-supported doctrine - a tool for regulating the appearance of signboards and display windows in the center of Brno. However, this was not a fight against visual smog in the sense of combating illega advertising and commercialization of public space through city ads and billboards. The manual proclaimed the fight against allegedly tasteless amateur aesthetics of smal businessmen - diners, fast food stalls, or nail studios. Ugly Brno, whose main aim is to document, archive and defend these iconic eclectic designs of Brno became overnight the relentless nemesis of the manual. 

Ugly Brno was exhibited at The Cooper Union in New York (2019) and in the Medium gallery in Bratislava (2023).
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